Canon XL1 PAL Package with 16x Zoom & Video Light

!9#: Canon XL1 PAL Package with 16x Zoom & Video Light

Canon XL1 PAL Package with 16x Zoom & Video Light

Canon XL1 PAL Package with 16x Zoom & Video Light

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Canon XL-H1 3CCD High Definition Camcorder with 20x Optical Zoom

!9#:Canon XL-H1 3CCD High Definition Camcorder with 20x Optical Zoom

Brand : Canon
Rate :
Price : $8,799.88
Post Date : Jan 23, 2012 12:33:17
Usually ships in 1-2 business days

High Definition's Highest Expression - Whether you're a broadcast ENG producer, documentary, feature or commercial videographer, the XL H1 is the affordable, lightweight HD camcorder you've been waiting for. Its Superior Canon Optics and exceptional image processing give you a brilliant HD image. For pristine image quality, the XL H1 features uncompressed digital HD-SDI output (SMPTE 292M), as well as Gen-lock input and SMPTE time code input and output for multi-camera shoots. And, with its customizable open-architecture approach, selectable frame rates, and multiple output options, you've got exactly the right tool - every time. Like all of Canon's 3CCD camcorders, the XL H1 includes image control features, customizable settings and a well-balanced design - for the creative control, flexibility and advanced capability your video work demands. HD Resolution With Adjustable Frame Rates- The XL H1 delivers HD at 1080i, along with selectable frame rates of 60i, 30F, and 24F. For high-speed subjects, 30F delivers spectacular clarity, while 24F gives the look and motion of film. Professional Jackpack- For the professional videographer, the XL H1 gives you the capabilities you need - no matter what the job, no matter what the facilities. Multi-camera shoots are no problem using Gen-lock synchronization or SMPTE time code input and output. Also provided is uncompressed digital HD and digital SD through an SDI output. The XL H1's professional JackPack brings together all these capabilities and lets you quickly and conveniently make the connection you need. Total CINE Control- With the XL H1, you get total control over the cine look of your video by fine-tuning a number of variables: 3 color matrixes, 2 cine gammas and adjustable: knee, black stretch, setup level, master pedestal, horizontal detail, coring, sharpness, noise reduction, col

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The Mick Donovan Band "The Truth" Music Video

!9#: The Mick Donovan Band "The Truth" Music Video

This is a Music Video of the song "The Truth" featured in our feature film "Chasing Shadows"

The Mick Donovan Band "The Truth" Music Video

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Canon XL 1 Replacement Battery (DQ-RP930)

!9#:Canon XL 1 Replacement Battery (DQ-RP930)

Brand : Denaq
Rate :
Price :
Post Date : Jan 12, 2012 16:09:05
Usually ships in 1-2 business days

This is a brand new replacement battery for the Canon XL 1 camera.

Over time, batteries slowly lose their charge and can leave your once-portable device cord-bound! Whether you want a backup battery, an upgrade, or to make your portable device mobile once more, this battery is sure to please!

Specs:

4000mAh

This battery comes with a 1 year manufacturer's warranty.

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Pro Aluminum Hard Case For The Canon XH-A1, XH-A1S, XH-G1, XL-1S, XL1, XL2, XL-H1, GL2, GL1, XM2, XM1 Mini Dv Camcorders

!9#:Pro Aluminum Hard Case For The Canon XH-A1, XH-A1S, XH-G1, XL-1S, XL1, XL2, XL-H1, GL2, GL1, XM2, XM1 Mini Dv Camcorders

Brand : DBROTH
Rate :
Price :
Post Date : Dec 24, 2011 15:24:29
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This professional series photographic case is vital to the protection of film, digital or video cameras, lenses and lighting equipment. These cases have been put through countless hours of field use to ensure survival and functionally. Built of high-grade aluminum, it allows you to transport your camera and its accessories without having to worry about equipment damage. Manufactured to rigorous standards, they feature high quality dense foam, moveable interior dividers as well as two foam pads which can be easily shaped to accommodate specific equipment. Ultra-strong lightweight construction includes metal key locking clasps.

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Canon XH-A1S 3CCD HDV High Definition Professional Camcorder with 20x HD Video Zoom Lens III

!9# Canon XH-A1S 3CCD HDV High Definition Professional Camcorder with 20x HD Video Zoom Lens III

Rate : | Price : | Post Date : Nov 24, 2011 06:06:22
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Canon XH-A1S 3CCD HDV High Definition Professional Camcorder With 20X HD Video Zoom Lens III.

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How to Get Into the Music Video Business

!9# How to Get Into the Music Video Business

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I started in music video production over 12 years ago first doing music videos for independent artists in the Hampton Roads area of Virginia, but after my 4th "indie" music video I had my first major music video for U-God of the Wu-Tang Clan which aired on B.E.T's Rap City.

I got into music video production because I would see music videos on TV made with high budgets that turned out crappy. I would always say "I could do way better with a lower budget". So I put my money where my mouth was, brought a camera and an editing computer and 17 music videos later the rest is history.

Getting into music video production is very easy. Think about it. No matter where you live, there are music artists looking to pay someone to shoot and edit their music video - so you already have a starving market. But when most directors get their first music video, whether it be indie or celeb, they get 2 important things wrong. Let me explain.

First, if you want to get into music video production there's one thing you need to know. Keep It Simple Stupid. Again, when I started I only had a camera (Canon XL1) and an editing computer. I didn't have all the bells and whistles that most people in my field had.

When I got my first music video I kept the concept simple.The song had 3 verses so I shot 3 different performance scenes (the scenes where the artists are seen performing the song) for each verse and we went to a lot of different locations and shot b-roll footage (scenes that you see in music videos where no one is performing ie: car driving in slow motion or sexy girl slow grinding on someone in the club). It only took 2 days. By the time it was all said and done, I submitted it to B.E.T and it aired on Uncut and Rap City. You understood me right. My first music video aired on national TV.

I am a firm believer in "making it work with what you got" and as a film maker, you should always keep that in mind. Bigger budget does not always mean better final product. When you don't have unlimited resources you're forced to think and make do with what you've got, and some of the hottest music videos are born from that seed.

Next, you must know that to make a good music video you need good locations, extras, and props. Most importantly you need to know that you don't have to pay for any of these; atleast I never have.

Lets talk about my first music video and one of it's major locations, crazy props, and extras. I needed a church scene where a funeral was taking place and the choir was singing in the background. That meant I needed floral arrangements, a casket, an extra to play the guy laying in the casket, a church, a Reverend, and about 20 people to fill in the pews. All I did to get these items was simply ask.

To get the casket I went to a funeral home and told them I need a casket for someone to lay in for a music video shoot. Keep in mind when setting up a scene you have to think in real world time. Make your scene look the way it would in real life. That's when it hit me that I needed flowers to go around the casket, so I asked the funeral home where could I get flowers to decorate the scene. They pointed me to a flower shop they worked with and they gave me a slew of floral arrangements made just for funerals.

My next feat was getting a church. This was a little more difficult being that it was a rap video and most churches don't agree with that type of music. After being turned down by 3 different churches, I found a church that said yes. I had access to the choir and their reverend.

I had everything I needed for my scene all without paying a cent out of my budget. To achieve this, simply say "I need to use (name of item) for a music video shoot but we have exhausted our budget. If it's OK we would like to use (name of item) for our shoot and we can give you credit at the end of the music video."

I have never been told no (except for the 3 churches). Using this statement, I have used stranger's vehicles, schools, resorts, hotels and many other props, locations and extras that most director's pay for when they don't have to. All it takes is just asking.

Just knowing these two things will make your entry into the music video production field as easy as mine was and if you are already in the music video industry, use this info to keep more of the budget in your pocket.

How to Get Into the Music Video Business

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